Born 1997. Studies: Faculty of Sculpture of the Academy of Fine Arts in Warsaw (2017–2022); Fine arts at the Universidad Complutense de Madrid (2021; under Erasmus+ program). Scholarships from the Minister of Culture and National Heritage (2021/2022) and the Rector of the Academy of Fine Arts (2021/2022). He works in sculpture, drawing and graphics. He took part in exhibitions: First steps, Wola Center, Warsaw (2018); Identification, Lviv Palace of Art (2020/2021); First mass, then sculpture, Czapski Palace (2022); PromScy, Popkolor Gallery (2022); an exhibition accompanying the Charity Sculpture Auction for the Zbigniew Maleszewski Foundation of Polish Sculpture, 3ONE33 (2022). A finalist of the Figurativas 2021 international sculpture and painting competition in Barcelona.
Because of its materiality, classic sculpture exists in real space, but its essence is derived from the immaterial world: from the world of intentions that constantly evolve. The world of art can be compared to a huge space – for instance, to a planet – onto which we, artists, fall at a certain moment. We begin to explore this unexplored planet in search of various elements and forms. Only after many hours of scrupulous search pursued in a state of absolute concentration, almost meditation, are we able to bring about a work of art – or, actually, a work of art emerges on its own. This concentration, experiencing the art of creation, temporariness of a work of plastic art is the most important thing for me. Art is not only a matter of creation – art is, above all, a matter of discovery.
Strive
Supervisor:
Dr hab. Małgorzata Dmitruk Assoc. Prof.
Studio of Graphic Spatial Forms
Because of its materiality, classic sculpture exists in real space, but its essence is derived from the immaterial world: from the world of intentions that constantly evolve. The world of art can be compared to a huge space – for instance, to a planet – onto which we, artists, fall at a certain moment. We begin to explore this unexplored planet in search of various elements and forms. Only after many hours of scrupulous search pursued in a state of absolute concentration, almost meditation, are we able to bring about a work of art – or, actually, a work of art emerges on its own. This concentration, experiencing the art of creation, temporariness of a work of plastic art is the most important thing for me. Art is not only a matter of creation – art is, above all, a matter of discovery.
