Born 1996. Studies: Faculty of Stage Design of the Academy of Fine Arts in Warsaw (2015–2020). She designs scenography and costumes and works in the field of artistic textiles. She has co-operated, among others, with the Juliusz Słowacki Theatre in Kraków, Witkacy Nowy Theatre in Słupsk, Ochota Theatre in Warsaw and Warsaw Documentary Film Studio. She took part in an international exhibition Textile art of today (2021), the 6th Piotrków Art Biennale in Piotrków Trybunalski (2021) and, as part of the Revival competition, in an exhibition of works in the Apteka Sztuki Gallery in Warsaw (award, 2021).
Like a moth to a flame…
Supervisor:
Prof. Dorota Kołodyńska
Studio of Costume Design
Space and costume design for the musical Dance of the vampires by Jim Steinman and Michael Kunze; interpretation of the phenomena of passing and destruction on the example of independently created textures and costume designs
The moth is interpreted as a symbol of the transformation of life into a new form and quality. This association occupied my mind when I was designing the grotesque world of Dance of the vampires slightly permeated with darkness. Photographs of found collections of burial clothing became an inspiration for the search for forms and structures. When creating textiles, I tried to make them look like overexposed “remains”. Using combinations of unconventional and precious materials for the creation of textiles, I came up with very diverse structures in shades of black. The textiles created by me are an important part of the design, serving as a real presentation of the image of vampires with the constant use of monochrome. Their costumes are a variation on various epochs and on fashions prevalent in those times.
The laboratory of smell
Supervisor:
Prof. Elżbieta Banecka
Studio of Color and Drawing
Smell – a property of chemical compounds or their mixtures consisting in the ability to stimulate the sense of smell, i.e. to play the role of stimuli producing impressions. Inspired by synaesthesia – a phenomenon where one sense is capable of evoking experiences that are normally associated with other senses – I created a series of objects being real representations of selected aromas. The recorded observations helped me “sniff out” their colour, form and structure.
I made the objects using natural pigments and waste or biomaterials created by me. I examined the possibilities of giving a physical form to aromas, sharing my feelings and associations with the recipient.
