Born 1994. Studies: Faculty of Conservation and Restoration of Works of Art of the Academy of Fine Arts in Warsaw (2014–2022). He works in the conservation and restoration of sculpture and elements of stone and wooden architecture, as well as sculpture. He has participated in conservation works in Poland and abroad.
Supervisor:
Dr hab. Wiesław Procyk Assoc. Prof.
Chair of Conservation and Restoration of Sculpture and Architectural Elements
The aim of conservation works was to restore the artistic value of the work along with its proper exhibition function. The scope of works encompassed the restoration of the original vertical combination of elements of the object, the creation of a telescopic assembly system allowing for the reintegration of the Column with a Ram, the thorough cleaning of constituent surfaces of the composition, the removal of layers and secondary cement supplements resulting in the partial restoration of original colours, the reconstruction of missing part of the decoration necessary for the correct interpretation of presented sculpting forms, and the rebuilding of the stone facing that serves as a sort of background for the monument.
Supervisor:
Dr hab. Grzegorz Stachańczyk Assoc. Prof.
Studio of Drawing and Monumental Forms
The main inspiration for the pieces in question was William Blake’s poem The Tyger (1794) and admiration for large-format masterpieces by Peter Paul Rubens, particularly those presenting animalistic scenes (for example, The Tiger Hunt, 1615–1616). In the case of this diptych, however, the beast prevails over the human.