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Maria Gil

  • Butterflies in different colours and configuration

Ludwika Kowalewska

  • the memory charm
  • here is no god, there is Fashion

Angelika Rudak

  • In order to exist, a person must rebel—rebellion as the...

Eliasz Hułas

  • SOLD MYSELF, PLEASE BUY ME
  • PRAISE THE LORD ALGORITHM
  • I WANNA BE INDUSTRIAL FORM

Afrodyta Rękawik

  • Concave Touch
  • On My Skin

Aleksandra Szlasa-Rokicka

  • Take it and...
  • ...all of you

Małgorzata Cichocka-Stelmaska

  • COTTON WARNING
  • COTTON WARNING

Jan Dopierała

  • ‘Twitching’ – a subjective examination of structure
  • A Twitch

Mikołaj Sobotka

  • Dark Matter
  • Fountain
  • Smooth Space, Grooved Space

Zofia Kanclerz

  • Issues of conservation of 18th-century footwear made of...
  • Garden

Magdalena Szmagier

  • Conservation issues of the bas-relief with the...
  • Masks

Monika Zawadzka

  • Technical issues and aesthetic solutions in the...
  • untitled

Antonina Dutkiewicz

  • BAST – the design for a modular rest project
  • BAST – a record of the design process

Urszula Gruszewska

  • Day support centre “Przyjaźń” for people affected by...
  • Soothing – a sensory textile object supporting the sense...

Aleksandra Kupidłowska

  • CUDDLE—a huggable armchair
  • CATCH—a sculpture inspired by touch

Jakub Cielecki

  • L’Enfant terrible

Gabriela Piwar

  • The Wetland Glimmers in Pink

Daniel Sikorski

  • 10 cm—skateboard ramps for beginners
  • A Sandwich on a Sofa

Sonia Dudek

  • SONIA

Iga Niewiadomska

  • A nap
  • A nap

Zuzanna Wudarska

  • My room is a box into which voices fall

Katarzyna Polak

  • The Underground of Memory
  • The Echo of Memory

Julia Ruszkowska

  • Stage and costume design for the production of ’November...
  • Non-human arte-fact. Installation

Maria Zawadzka

  • Stage, costume and puppet design for theatrical adaptation...
  • The Dormant Memory

Kacper Greń

  • With grandpa on a (social) journey. Exercises in the...
  • Post-mortem Regina. Zbigniew Libera’s ‘Grandmother’s...

Barbara Kupiec

  • Our body. Looking through shapes, or interspecies affinity
  • Ecological practices in Polish art on the example of the...

Adam Parol

  • The less work, the better effect. Liliana Lewicka
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